AT WAR (EN GUERRE) [2018]

Stéphane Brizé’s eighth feature is a David and Goliath story for the modern world. Perrin, a French car manufacturer, signed an important agreement with every worker at one of their plants, totalling 1,100… Continue reading

Framing John DeLorean [2019]

The Back to the Future series immortalised the DeLorean, a car bearing the name of its creator and the subject of Framing John DeLorean. The man behind the car was, to put it lightly, a very… Continue reading

THE GUILTY (Den skyldige) [2018]

The Guilty takes place into two rooms within an Emergency services call centre. The focus is on one man working here, Asger Holm, who is in every scene throughout. A few factors emerge… Continue reading

DRAGGED ACROSS CONCRETE [2018]

Writer/director S. Craig Zahler hits the ground running after his brutal revenge prison thriller, Brawl in Cell Block 99 and his Western turned Horror flick, Bone Tomahawk. His latest effort is his most mature… Continue reading

DESTROYER [2019]

    Nicole Kidman seems to have actively looked for interesting roles for much of her career, from Eyes Wide Shut and Birth to roles in dark films such Boy Erased or The Killing… Continue reading

HIGH LIFE [2018]

Originally written for Cinemaaxis.com High Life, Clare Denis’ first journey into space and the English language filmmaking, is a sci-fi adventure unlike no other. Death row prisoners are being sent into space to… Continue reading

JOHN WICK: CHAPTER 3 – PARABELLUM [2019]

Unsurprisingly, Chapter 3 immediately follows the events that ended the previous film. Wick is limping and bleeding, constantly checking his watch, as is every assassin in the city – all receiving information that… Continue reading

EVERYBODY KNOWS (TODOS LO SABEN) [2018]

Asghar Farhadi changes gears after his Oscar winning film, The Salesman, deftly moving from a thriller to low-key family drama/mystery with his new film, Everybody Knows. This new venture puts his talent on… Continue reading

HOTEL MUMBAI [2018]

Locally, Anthony Maras’ debut feature, Hotel Mumbai, should be considered a huge achievement for the South Australian Film Industry. Opening the Adelaide Film Festival in late 2018, it marks a high quality film… Continue reading

CAPHARNAUM [2018]

In Nadine Labaki’s searing new film, a righteously angry young boy, having lived in the slums of Beirut, is in a courtroom where he says matter-of-factly that he is suing his parents for… Continue reading