Many thanks to Natalie of writerlovesmovies for writing this awesome essay, analysing Hans Zimmer’s incredibly tense composition for Christopher Nolan’s Dunkirk. The score in its entirety follows this piece. Despite being disconnected from the film, it is… Continue reading
Originally written for Cinemaaxis.com A quirky and unique documentary with its tongue firmly in cheek (solidified by the presence of John Cleese), Assholes: A Theory is quite literally a study of the personality trait of being… Continue reading
Stéphane Brizé’s eighth feature is a David and Goliath story for the modern world. Perrin, a French car manufacturer, signed an important agreement with every worker at one of their plants, totalling 1,100… Continue reading
The Back to the Future series immortalised the DeLorean, a car bearing the name of its creator and the subject of Framing John DeLorean. The man behind the car was, to put it lightly, a very… Continue reading
The Guilty takes place into two rooms within an Emergency services call centre. The focus is on one man working here, Asger Holm, who is in every scene throughout. A few factors emerge… Continue reading
Writer/director S. Craig Zahler hits the ground running after his brutal revenge prison thriller, Brawl in Cell Block 99 and his Western turned Horror flick, Bone Tomahawk. His latest effort is his most mature… Continue reading
Nicole Kidman seems to have actively looked for interesting roles for much of her career, from Eyes Wide Shut and Birth to roles in dark films such Boy Erased or The Killing… Continue reading
Originally written for Cinemaaxis.com High Life, Clare Denis’ first journey into space and the English language filmmaking, is a sci-fi adventure unlike no other. Death row prisoners are being sent into space to… Continue reading
Unsurprisingly, Chapter 3 immediately follows the events that ended the previous film. Wick is limping and bleeding, constantly checking his watch, as is every assassin in the city – all receiving information that… Continue reading
Asghar Farhadi changes gears after his Oscar winning film, The Salesman, deftly moving from a thriller to low-key family drama/mystery with his new film, Everybody Knows. This new venture puts his talent on… Continue reading
