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Category: 2019
THE PAINTED BIRD [2019]
Original review written for Cinemaaxis.com Not unlike Pasolini’s ‘The 120 Days of Sodom’, The Painted Bird film will be known by some as ‘that three hour child torture movie’, ‘child torture porn’, or a similar, basic summary along these lines. I hope I am…
THE GENTLEMEN [2019]
As always, thanks again to Courtney: Guy Ritchie’s The Gentlemen signifies a return to the crime-laden and humourous style that originally established his career. Save for Matthew McConaughey’s criminal protagonist ‘Mickey’, who hails from the US in a very odd and out of…
PT 3 – (FINALLY) THE END OF MY DRUNKEN MIDSOMMAR DIATRIBE
The extensive use of psychedelics against Christian’s will is hard to ignore; it is clear that after Dani is crowned, Christian has no idea what is happening, amplified by the man next to him blowing yet more foreign but obviously psychedelic dust from the…
PT 2: DRUNKEN MIDSOMMAR RANTING ON THE BEST MOVIE OF 2019
So, it seems apparent then that one of the Hårga’s traditions once they reach the age of 72, the end the final ‘cycle’, they jump off a cliff, not before being carried like a king to the cliff beforehand. I’m sure this latter part…
PT 1: ANALYSIS OF THE ULTIMATE MINDF*CK MOVIE: MIDSOMMAR [2019]
Over a decade ago as an unemployed, young 20-something man-child, I sat on my backside every day, all day, watching movies, often inebriated. Perhaps unsurprisingly then, I don’t remember much from those days. Though funnily enough, I remember Memento vividly despite having major memory…
AN ELEPHANT SITTING STILL (DA XIANG XI DI ER ZUO) [2019]
With a debut film that clocks in at 3 hours and 40 minutes, it is safe to say that Hu Bo was confident in his vision: a focused and calculated piece that creates an instantly noticeable visual statement. Bo doesn’t have much hope for…
THE TWO POPES [2019]
As always, many thanks to Courtney of Cinemaaxis.com. This story may revolve around Catholicism and its traditions and beliefs, but the film transcends this framework and, incredibly, manages to avoid any political bias. The airtight script creates a consistent, relaxed tone: the chemistry between…
IN FABRIC [2018]
There are several strands that make up In Fabric, some making perfect sense, others incredibly disturbing – the film uses nightmare logic, where the opposite of what makes sense is exactly what happens. To begin however, the world we see looks quite normal. A…
MONOS [2019]
Writer/director Alejandro Landes dives head first into the disturbingly real world issue of child soldiers, a subject that hasn’t been seen too often in cinema and it’s easy to see why given how confronting Monos is. Rather than creating any sort of clear narrative…
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ATLANTICS [2019]
Posted on January 27, 2020 by Jordan Dodd
4 Comments
Mati Diop uses her first short, a documentary of the same name, as thematic inspiration for her first full length feature. Diop opts to write a fictional story that sits parallel to the first, which followed four young men attempting to cross the…
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Category: 2019, Film, ForeignTags: class distinctions, Drama, Islam, mati diop, Netflix, refugees, Romance, senegal, social commentary, spirituality, tradition